President of Kino International -- via the New York Times. His taste and sense of the possible made Kino one of the primary sources of endangered and esoteric films. He worked with Wong Kar-Wai, Haneke and Gitai. He issued the definitive Keaton and Fairbanks restorations -- he saved "The Cabinet of Dr. Caligari," "The Last Laugh" and "Metropolis." Kino distributes Klimov's wrenching 1985 "Come and See," Tartovsky's "Stalker," the bewitching 1935 "She," "Fantomas." Thank you, sir!
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