Former MLB player -- via Univision.
Interesting, overlooked, and significant obituaries from around the world, as they happen, emphasizing the positive achievements of those who have died. Member, Society of Professional Obituary Writers.
Friday, April 28, 2017
Thursday, April 27, 2017
Wednesday, April 26, 2017
Jonathan Demme
Oscar-winning director; one of America's greatest filmmakers -- via Indiewire. I saw "Melvin and Howard" when I was 19, and it changed my way of thinking about how to tell a story and what to tell a story about. After that, I followed him ardently, and went through his back catalog as well. He was one of those directors whose films you went to see no matter what, just to see what he was thinking about.
He started as a film critic -- like me, he covered the arts because he was too poor to pay to get in. He then learned his craft in school of Roger Corman, crafting the best women-in-prison exploitation film, "Caged Heat," in his first try, a promising and dubious achievement. He never stopped being a great storyteller and a wide observer of humanity with a great sense of humor. He found something interesting and redeeming in every character who crossed the screen, and his democracy of vision bears similarities to another favorite storyteller of mine, Steinbeck. Demme was a much-needed optimist.
He will be best remembered for "The Silence of the Lambs," but so many more of his films deserve another look. Don't forget the iconic concert film "Stop Making Sense," as well as his masterful adaptation of Vonnegut's "Who Am I This Time?" for TV's "American Playhouse." Here's a scattering of trailers below -- An insanely versatile artist.
UPDATE: I have to include Bruce Weber's great obit here; he points out some things I missed, such as that Demme was an actor's director, something he shares with Mazursky, another of my faves; he also emphasizes his affection for Truffaut, which I share and is pretty evident, and which ultimately descends from Renoir, that curious and attentive humanism that recognizes that "everyone has their reasons." Furthermore, the music! Demme was the king of the compilation soundtrack -- I have the "Something Wild" one on vinyl, I was so taken with it. He really turned us on to a lot of powerful music.
https://www.youtube.com/watch?v=NUjjFETMTxE
He started as a film critic -- like me, he covered the arts because he was too poor to pay to get in. He then learned his craft in school of Roger Corman, crafting the best women-in-prison exploitation film, "Caged Heat," in his first try, a promising and dubious achievement. He never stopped being a great storyteller and a wide observer of humanity with a great sense of humor. He found something interesting and redeeming in every character who crossed the screen, and his democracy of vision bears similarities to another favorite storyteller of mine, Steinbeck. Demme was a much-needed optimist.
He will be best remembered for "The Silence of the Lambs," but so many more of his films deserve another look. Don't forget the iconic concert film "Stop Making Sense," as well as his masterful adaptation of Vonnegut's "Who Am I This Time?" for TV's "American Playhouse." Here's a scattering of trailers below -- An insanely versatile artist.
UPDATE: I have to include Bruce Weber's great obit here; he points out some things I missed, such as that Demme was an actor's director, something he shares with Mazursky, another of my faves; he also emphasizes his affection for Truffaut, which I share and is pretty evident, and which ultimately descends from Renoir, that curious and attentive humanism that recognizes that "everyone has their reasons." Furthermore, the music! Demme was the king of the compilation soundtrack -- I have the "Something Wild" one on vinyl, I was so taken with it. He really turned us on to a lot of powerful music.
https://www.youtube.com/watch?v=NUjjFETMTxE
Henry Chung
Restaurateur -- via the San Francisco Chronicle. A key figure in the introduction of Hunanese cuisine to America.
Tuesday, April 25, 2017
Rebecca Swift
Publishing revolutionary -- via the Guardian. She conceived of and co-founded with Hannah Griffiths the Literary Consultancy, which bravely decided to offer editorial input to all writers (in English), anywhere. It became a many-pronged agent of change -- providing mentorships, breaking the market open for low-income, unconnected, marginalized, and dismissed writers, doing think tanks, and the like.
Kathleen Crowley
Actress -- via the Wimberg Funeral Home. AKA Kathleen Rubsam. She worked extensively, and racked up 85 IMDb credits in less than 20 years on screen.
William 'Gatz' Hjortsberg
Writer -- via the Livingston Enterprise. He wrote the novel "Falling Angel," from which the film "Angel Heart" was derived; he also wrote the screenplay for Ridley Scott's "Legend," and a biography of Richard Brautigan as well.
Robert M. Pirsig
Writer and philosopher best known for his "Zen and the Art of Motorcycle Maintenance" -- via the New York Times.
Monday, April 24, 2017
Enrico Medioli
Brilliant if overlooked screenwriter -- via La Repubblica. Wrote some top-notch scenarios for Visconti and others. Among his best work -- "Rocco and His Brothers," "The Leopard," "The Damned," and "Once Upon a Time in America."
Sunday, April 23, 2017
Elizabeth Sargent
Poet; last tenant of New York's Carnegie Hall artists' studios -- via the New York Times. AKA Betty Bernardine Robinson.
Jacques Robiolles
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Robiolles right with Jean-Pierre Leaud in Truffaut's "Domicile conjugal" (1970). |
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